{"id":123,"date":"2018-09-13T13:31:40","date_gmt":"2018-09-13T11:31:40","guid":{"rendered":"http:\/\/beta.bjoernbuerger.com\/?page_id=123"},"modified":"2023-08-01T20:00:41","modified_gmt":"2023-08-01T18:00:41","slug":"press","status":"publish","type":"page","link":"https:\/\/bjoernbuerger.com\/en\/press\/","title":{"rendered":"Press"},"content":{"rendered":"\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Die Tote Stadt &#8211; Opernhaus Z\u00fcrich<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid #ddd!important;\n\n}\n<\/style>\n\t\n<table>\n<tbody>\n<tr>\n<td rowspan=\"15\" class=\"presseimg-cell\">\n\n<div id=\"envira-gallery-wrap-1506\" class=\"envira-album-wrap envira-gallery-wrap envira-gallery-theme-base envira-lightbox-theme-base_dark\" ><div data-album-config='{\"type\":\"default\",\"layout\":\"automatic\",\"columns\":\"0\",\"title\":\"Die Tote Stadt - Opernhaus Z&uuml;rich\",\"justified_row_height\":150,\"justified_margins\":1,\"justified_last_row\":\"nojustify\",\"back\":0,\"back_location\":\"above\",\"back_label\":\"Back to Album\",\"description_position\":\"0\",\"album_alignment\":\"0\",\"gallery_theme\":\"base\",\"album_width\":100,\"description\":null,\"display_titles\":\"0\",\"display_titles_automatic\":0,\"gallery_description_display\":\"\",\"display_captions\":0,\"display_image_count\":0,\"gutter\":10,\"margin\":10,\"sorting\":\"0\",\"sorting_direction\":\"ASC\",\"crop\":0,\"crop_width\":960,\"crop_height\":300,\"isotope\":0,\"lazy_loading\":1,\"lazy_loading_delay\":500,\"lightbox\":1,\"lightbox_theme\":\"base_dark\",\"title_display\":\"float\",\"lightbox_title_caption\":\"title\",\"arrows\":1,\"arrows_position\":\"inside\",\"toolbar\":1,\"toolbar_title\":0,\"toolbar_position\":\"top\",\"aspect\":1,\"loop\":1,\"lightbox_open_close_effect\":\"fade\",\"effect\":\"fade\",\"html5\":0,\"gallery_sort\":\"0\",\"supersize\":0,\"image_counter\":0,\"lightbox_image_size\":\"default\",\"thumbnails\":1,\"thumbnails_width\":\"auto\",\"thumbnails_height\":\"auto\",\"thumbnails_position\":\"bottom\",\"thumbnails_custom_size\":0,\"thumbnails_toggle\":0,\"thumbnails_hide\":0,\"mobile\":1,\"mobile_width\":320,\"mobile_height\":240,\"mobile_lightbox\":1,\"mobile_arrows\":1,\"mobile_toolbar\":1,\"mobile_thumbnails\":1,\"mobile_thumbnails_width\":75,\"mobile_thumbnails_height\":50,\"mobile_justified_row_height\":80,\"standalone_template\":\"\",\"classes\":\"\",\"rtl\":0,\"slug\":\"die-tote-stadt-opernhaus-zuerich\",\"custom_css\":\"\",\"audio\":0,\"audio_autoplay\":0,\"audio_loop\":0,\"audio_file_id\":0,\"videos_play_icon\":0,\"videos_autoplay\":0,\"videos_enlarge\":0,\"videos_playpause\":0,\"videos_progress\":0,\"videos_current\":0,\"videos_duration\":0,\"videos_volume\":0,\"videos_controls\":0,\"videos_fullscreen\":0,\"videos_download\":0,\"breadcrumbs_enabled\":0,\"breadcrumbs_enabled_mobile\":1,\"breadcrumbs_separator\":\"\\\/\",\"breadcrumbs_enabled_yoast\":0,\"album_id\":1506,\"keyboard\":1,\"mousewheel\":1}' data-lightbox-theme='{&quot;arrows&quot;:true,&quot;margins&quot;:[120,0],&quot;gutter&quot;:&quot;100&quot;,&quot;thumbs_position&quot;:&quot;bottom&quot;,&quot;base_template&quot;:&quot;&lt;div id=\\&quot;envirabox-1506\\&quot; 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Monika Rittershaus (2)\"},\"gallery_id\":1543,\"gallery_title\":\"Tote Stadt &#8211; Z\u00fcrich\"}}'  data-gallery-sort-ids='[1546,1545,1544]'  class=\"envira-album-gallery-1543 envira-gallery-link\" title=\"Tote Stadt - Z&uuml;rich\" ><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-1543\" class=\"envira-gallery-image envira-gallery-image-1 envira-lazy\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2025\/09\/Tote-Stadt-\u00a9-Monika-Rittershaus-3.jpg\" width=\"960\" height=\"300\" data-envira-width=\"300\" data-envira-height=\"169\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2025\/09\/Tote-Stadt-\u00a9-Monika-Rittershaus-3.jpg\" data-caption=\"\" data-envira-item-id=\"1543\" data-automatic-caption=\"\" data-envira-album-id=\"1506\" data-envira-gallery-id=\"1543\" alt=\"\" title=\"Tote Stadt - Z&uuml;rich\"  srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-safe-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>\u201cBj\u00f6rn B\u00fcrgers schlanker und flexibler Bariton verleiht Frank einen Ausdruck der Durchtriebenheit. Als Pierrot auf Inlinern macht er mit dem gro\u00dfen Lied \u201eMein Sehnen, mein W\u00e4hnen\u201c eindr\u00fccklich klar, dass Marietta \u2013 wie auch Wedekinds Lulu \u2013 unweigerlich zur Projektionsfl\u00e4che m\u00e4nnlicher Lust wird.\u201d<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Robin Parson - FAZ Frankfurter Allgemeine Zeitung<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>\u201cAls Frank und als Pierrot Fritz vermag Bj\u00f6rn B\u00fcrger mit der goldenen W\u00e4rme seines schlank gef\u00fchrten Baritons begeistern. Pierrots Walzer-Arie \u201eMein Sehnen, mein W\u00e4hnen\u201c (der zweite Wunschkonzert-Hit aus dieser Oper) singt Bj\u00f6rn B\u00fcrger (obwohl er auf Inlineskater auftreten muss) zum Dahinschmelzen sch\u00f6n, das ist vom Allerfeinsten punkto Intonation, Phrasierung und stimmlicher Rundung!\u201d<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Kaspar Sannemann - Der Opernfreund<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>\u201cBesonders der Bariton Bj\u00f6rn B\u00fcrger als Frank \u00fcberzeugt: Sein Pierrot-Lied tr\u00e4gt er mit t\u00e4nzerischem Rhythmus, klarer Diktion und starker melodischer Spannung vor \u2013 ein Highlight des Abends.\u201d<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\"> Simon Bordier -Tages-Anzeiger<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">\u201cBj\u00f6rn B\u00fcrger se montre \u00e0 nouveau excellent en Frank et Fritz, et son Mein Sehnen, mein W\u00e4hnen est, par sa gr\u00e2ce, un des moments forts de la soir\u00e9e\u201d\r\nNicolas Blanmont - Op\u00e9ra Magazine<\/td><\/tr><tr><td class=\"presstextquote-cell\">Nicolas Blanmont - Op\u00e9ra Magazine<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">\u201cBj\u00f6rn B\u00fcrger qui appartient \u00e0 la troupe de Stuttgart, est \u00e0 la fois Frank au premier et au deuxi\u00e8me tableau puis Fritz le Pierrot, lui aussi perch\u00e9 sur rollers, avec une voix de baryton claire, particuli\u00e8rement cisel\u00e9e et un tr\u00e8s beau timbre, notamment quand il chante l\u2019un des grands \u00ab hits \u00bb de l\u2019\u0153uvre Mein Sehnen, mein W\u00e4hnen avec un sens de la ligne et une \u00e9l\u00e9gance qui donnent \u00e0 l\u2019air des couleurs de Lied et dessine subitement un univers qui convient exactement \u00e0 ce qui est v\u00e9cu dans l\u2019op\u00e9ra. Encore un excellent baryton, \u00e0 la voix un peu fronti\u00e8re (la clart\u00e9 du timbre\u2026) et tr\u00e8s s\u00e9duisante\u2026\u201d\r\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Guy Cherqui - Wanderer<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">\u201cBj\u00f6rn B\u00fcrger pr\u00eate \u00e0 Frantz comme \u00e0 Fritz la sveltesse de son baryton distingu\u00e9.\u201d\r\nMehdi Mahdavi-Diapason\r\n\r\n\r\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Mehdi Mahdavi-Diapason<\/td><\/tr>\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Die Fledermaus &#8211; De Nationale Opera Amsterdam<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid #ddd!important;\n\n}\n<\/style>\n\t\n<table>\n<tbody>\n<tr>\n<td rowspan=\"15\" class=\"presseimg-cell\">\n\n<div id=\"envira-gallery-wrap-1533\" class=\"envira-album-wrap envira-gallery-wrap envira-gallery-theme-base envira-lightbox-theme-base_dark\" ><div data-album-config='{\"type\":\"default\",\"layout\":\"automatic\",\"columns\":\"0\",\"title\":\"Die Fledermaus - Amsterdam\",\"justified_row_height\":150,\"justified_margins\":1,\"justified_last_row\":\"nojustify\",\"back\":0,\"back_location\":\"above\",\"back_label\":\"Back to Album\",\"description_position\":\"0\",\"album_alignment\":\"0\",\"gallery_theme\":\"base\",\"album_width\":100,\"description\":null,\"display_titles\":\"0\",\"display_titles_automatic\":0,\"gallery_description_display\":\"\",\"display_captions\":0,\"display_image_count\":0,\"gutter\":10,\"margin\":10,\"sorting\":\"0\",\"sorting_direction\":\"ASC\",\"crop\":0,\"crop_width\":960,\"crop_height\":300,\"isotope\":0,\"lazy_loading\":1,\"lazy_loading_delay\":500,\"lightbox\":1,\"lightbox_theme\":\"base_dark\",\"title_display\":\"float\",\"lightbox_title_caption\":\"title\",\"arrows\":1,\"arrows_position\":\"inside\",\"toolbar\":1,\"toolbar_title\":0,\"toolbar_position\":\"top\",\"aspect\":1,\"loop\":1,\"lightbox_open_close_effect\":\"fade\",\"effect\":\"fade\",\"html5\":0,\"gallery_sort\":\"0\",\"supersize\":0,\"image_counter\":0,\"lightbox_image_size\":\"default\",\"thumbnails\":1,\"thumbnails_width\":\"auto\",\"thumbnails_height\":\"auto\",\"thumbnails_position\":\"bottom\",\"thumbnails_custom_size\":0,\"thumbnails_toggle\":0,\"thumbnails_hide\":0,\"mobile\":1,\"mobile_width\":320,\"mobile_height\":240,\"mobile_lightbox\":1,\"mobile_arrows\":1,\"mobile_toolbar\":1,\"mobile_thumbnails\":1,\"mobile_thumbnails_width\":75,\"mobile_thumbnails_height\":50,\"mobile_justified_row_height\":80,\"standalone_template\":\"\",\"classes\":\"\",\"rtl\":0,\"slug\":\"die-fledermaus-amsterdam\",\"custom_css\":\"\",\"audio\":0,\"audio_autoplay\":0,\"audio_loop\":0,\"audio_file_id\":0,\"videos_play_icon\":0,\"videos_autoplay\":0,\"videos_enlarge\":0,\"videos_playpause\":0,\"videos_progress\":0,\"videos_current\":0,\"videos_duration\":0,\"videos_volume\":0,\"videos_controls\":0,\"videos_fullscreen\":0,\"videos_download\":0,\"breadcrumbs_enabled\":0,\"breadcrumbs_enabled_mobile\":1,\"breadcrumbs_separator\":\"\\\/\",\"breadcrumbs_enabled_yoast\":0,\"album_id\":1533,\"keyboard\":1,\"mousewheel\":1}' data-lightbox-theme='{&quot;arrows&quot;:true,&quot;margins&quot;:[120,0],&quot;gutter&quot;:&quot;100&quot;,&quot;thumbs_position&quot;:&quot;bottom&quot;,&quot;base_template&quot;:&quot;&lt;div id=\\&quot;envirabox-1533\\&quot; 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Bart Grietens (8)\"},\"gallery_id\":1524,\"gallery_title\":\"Die Fledermaus &#8211; Amsterdam\"}}'  data-gallery-sort-ids='[1526,1531,1532,1530,1529,1528,1527]'  class=\"envira-album-gallery-1524 envira-gallery-link\" title=\"Die Fledermaus - Amsterdam\" ><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-1524\" class=\"envira-gallery-image envira-gallery-image-1 envira-lazy\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2025\/09\/Die-Fledermaus-\u00a9-Bart-Grietens-8-2.jpg\" width=\"960\" height=\"300\" data-envira-width=\"300\" data-envira-height=\"200\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2025\/09\/Die-Fledermaus-\u00a9-Bart-Grietens-8-2.jpg\" data-caption=\"\" data-envira-item-id=\"1524\" data-automatic-caption=\"\" data-envira-album-id=\"1533\" data-envira-gallery-id=\"1524\" alt=\"\" title=\"Die Fledermaus - Amsterdam\"  srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-safe-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>\u201cB\u00fcrger sings and acts superbly, and performs acrobatic feats such as swinging in his pants on a huge chandelier. He rightly gets the most applause from the premiere audience.\u201d<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Peter van der Lint - Trouw<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>\u201cS\u00e9rieux d\u2019abord, il se d\u00e9cha\u00eene au fur et \u00e0 mesure de l\u2019\u0153uvre jusqu\u2019\u00e0 finir suspendu au lustre en sous-v\u00eatements \u00e0 la fin de l\u2019acte deux. Et il chante si bien qu\u2019on en oublie justement qu\u2019il chante ; c\u2019est l\u00e0 toute l\u2019essence de l\u2019op\u00e9rette. Diction irr\u00e9prochable, timbre chaud et naturel, toutes les qualit\u00e9s d\u2019un tr\u00e8s bon Eisenstein sont r\u00e9unies\u201d<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Camille Brossard-Le Tellier - Classique News<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>\u201cGabriel von Eisenstein, played with wide-eyed boyish aplomb by Bj\u00f6rn B\u00fcrger\u201d<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\"> Eleanor Knight - Bachtrack<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">\u201cGabriel von Eisenstein is performed grandiosely, humorously, by Bj\u00f6rn B\u00farger.\r\nB\u00fcrger, a baritone, studied in Frankfurt and has performed in many productions at various opera houses. He possesses a wonderful and especially comic singing talent.\u201d\r\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Door Hans van Oort - TheaterParadijs. nl<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">\u201chis high baritone provides a full sound for the many musical materials, and his many spoken lines flow just fine.\u201d<\/td><\/tr><tr><td class=\"presstextquote-cell\">Peter \u2019t Hart - Place de l'Op\u00e9ra<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">Her rather sulky husband was excellently portrayed by German baritone Bj\u00f6rn B\u00fcrger, who, with his almost tenor-like delivery, portrayed an alert, nimble yet solid Eisenstein: exaggerated where it could be, desperate where necessary and, at the end, explosively furious about his wife's alleged cheating (he himself, however, makes it much more furious).\u201d<\/td><\/tr><tr><td class=\"presstextquote-cell\">Peter Schlamilch - de nieuwe muze<\/td><\/tr>\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Manon &#8211; 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Borrasi &amp;amp;&#163;038; Gaido (1)\"},\"gallery_id\":1535,\"gallery_title\":\"Manon Lescaut &#8211; Teatro Regio Torino\"}}'  data-gallery-sort-ids='[1540,1539,1538,1537,1536]'  class=\"envira-album-gallery-1535 envira-gallery-link\" title=\"Manon Lescaut - Teatro Regio Torino\" ><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-1535\" class=\"envira-gallery-image envira-gallery-image-1 envira-lazy\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2025\/09\/Lescaut-Manon-\u00a9-Borrasi-Gaido-1-1.jpg\" width=\"960\" height=\"300\" data-envira-width=\"300\" data-envira-height=\"225\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2025\/09\/Lescaut-Manon-\u00a9-Borrasi-Gaido-1-1.jpg\" data-caption=\"\" data-envira-item-id=\"1535\" data-automatic-caption=\"\" data-envira-album-id=\"1541\" data-envira-gallery-id=\"1535\" alt=\"\" title=\"Manon Lescaut - Teatro Regio Torino\"  srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-safe-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>\u201cLe baryton allemand Bj\u00f6rn B\u00fcrger offre un Lescaut de haute \u00e9cole, avec une voix superbement timbr\u00e9e et une impressionnante pr\u00e9sence sc\u00e9nique.\u201d<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Emmanuel Andrieu \u2013 Classique News<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>\u201cle baryton allemand Bj\u00f6rn B\u00fcrger affirme de belles qualit\u00e9s de timbre et un engagement vocal qui s\u2019impose\u201d<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Alain Duault \u2013 Opera Online<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>\u201cBj\u00f6rn B\u00fcrger pr\u00eate\u2026 avec bonheur son baryton galb\u00e9 au personnage de Lescaut\u201d<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Emmanuel Dupuy \u2013 Diapason<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">\u201cEn Lescaut, le baryton Bj\u00f6rn B\u00fcrger est \u00e9galement une belle surprise, qui met du mordant dans ses interventions et se montre plut\u00f4t brillant dans la partie aigu\u00eb de la voix, dans une appr\u00e9ciable qualit\u00e9 de prononciation.\u201d<\/td><\/tr><tr><td class=\"presstextquote-cell\">Irma Foletti \u2013 Anaclase<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">\u201cLe Lescaut de Bj\u00f6rn B\u00fcrger est exemplaire avec sa voix souple et sonore et sa prononciation accomplie. Son air \u00ab Ne bronchez pas, soyez gentille \u00bb en est la parfaite illustration.\u201d<\/td><\/tr><tr><td class=\"presstextquote-cell\">Paul Fourier \u2013 Cult.news<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">\u201cBj\u00f6rn B\u00fcrger leiht bei hervorragender B\u00fchnenpr\u00e4senz dem Lescaut seinen strahlenden Bariton.\u201d<\/td><\/tr><tr><td class=\"presstextquote-cell\">Jan Krobot\/Z\u00fcich \u2013 Online Merker<\/td><\/tr>\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Lessons in Love and Violence &#8211; Opernhaus Z\u00fcrich<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid #ddd!important;\n\n}\n<\/style>\n\t\n<table>\n<tbody>\n<tr>\n<td rowspan=\"15\" class=\"presseimg-cell\">\n\n<div id=\"envira-gallery-wrap-1461\" class=\"envira-album-wrap envira-gallery-wrap envira-gallery-theme-base envira-lightbox-theme-base_dark\" ><div data-album-config='{\"type\":\"default\",\"layout\":\"mason\",\"columns\":\"3\",\"title\":\"Lessons in Love and Violence - Opernhaus Z&uuml;rich\",\"justified_row_height\":150,\"justified_margins\":1,\"justified_last_row\":\"nojustify\",\"back\":0,\"back_location\":\"above\",\"back_label\":\"Back to Album\",\"description_position\":\"0\",\"album_alignment\":\"0\",\"gallery_theme\":\"base\",\"album_width\":100,\"description\":null,\"display_titles\":\"0\",\"display_titles_automatic\":0,\"gallery_description_display\":\"\",\"display_captions\":0,\"display_image_count\":0,\"gutter\":10,\"margin\":10,\"sorting\":\"0\",\"sorting_direction\":\"ASC\",\"crop\":1,\"crop_width\":150,\"crop_height\":150,\"isotope\":true,\"lazy_loading\":1,\"lazy_loading_delay\":500,\"lightbox\":1,\"lightbox_theme\":\"base_dark\",\"title_display\":\"float\",\"lightbox_title_caption\":\"title\",\"arrows\":1,\"arrows_position\":\"inside\",\"toolbar\":1,\"toolbar_title\":0,\"toolbar_position\":\"top\",\"aspect\":1,\"loop\":1,\"lightbox_open_close_effect\":\"fade\",\"effect\":\"fade\",\"html5\":0,\"gallery_sort\":\"0\",\"supersize\":0,\"image_counter\":0,\"lightbox_image_size\":\"default\",\"thumbnails\":1,\"thumbnails_width\":\"auto\",\"thumbnails_height\":\"auto\",\"thumbnails_position\":\"bottom\",\"thumbnails_custom_size\":0,\"thumbnails_toggle\":0,\"thumbnails_hide\":0,\"mobile\":1,\"mobile_width\":320,\"mobile_height\":240,\"mobile_lightbox\":1,\"mobile_arrows\":1,\"mobile_toolbar\":1,\"mobile_thumbnails\":1,\"mobile_thumbnails_width\":75,\"mobile_thumbnails_height\":50,\"mobile_justified_row_height\":80,\"standalone_template\":\"\",\"classes\":\"\",\"rtl\":0,\"slug\":\"lessons-in-love-and-violence-opernhaus-zuerich\",\"custom_css\":\"\",\"audio\":0,\"audio_autoplay\":0,\"audio_loop\":0,\"audio_file_id\":0,\"videos_play_icon\":0,\"videos_autoplay\":0,\"videos_enlarge\":0,\"videos_playpause\":0,\"videos_progress\":0,\"videos_current\":0,\"videos_duration\":0,\"videos_volume\":0,\"videos_controls\":0,\"videos_fullscreen\":0,\"videos_download\":0,\"breadcrumbs_enabled\":0,\"breadcrumbs_enabled_mobile\":1,\"breadcrumbs_separator\":\"\\\/\",\"breadcrumbs_enabled_yoast\":0,\"album_id\":1461,\"keyboard\":1,\"mousewheel\":1}' data-lightbox-theme='{&quot;arrows&quot;:true,&quot;margins&quot;:[120,0],&quot;gutter&quot;:&quot;100&quot;,&quot;thumbs_position&quot;:&quot;bottom&quot;,&quot;base_template&quot;:&quot;&lt;div id=\\&quot;envirabox-1461\\&quot; 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Opernhaus Z\u00fcrich\"}}'  data-gallery-sort-ids='[1434,1431,1439]'  class=\"envira-album-gallery-1460 envira-gallery-link\" title=\"Lessons in Love and Violence - Opernhaus Z\u00fcrich\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-1460\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2023\/09\/Bj\u00f6rn-B\u00fcrger-8-150x150_c.jpg\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2023\/09\/Bj\u00f6rn-B\u00fcrger-8-150x150_c.jpg\" data-envira-album-id=\"1461\" data-envira-gallery-id=\"1460\" data-envira-item-id=\"1460\" data-caption=\"\" alt=\"\" title=\"Lessons in Love and Violence - Opernhaus Z\u00fcrich\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2023\/09\/Bj\u00f6rn-B\u00fcrger-8-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2023\/09\/Bj\u00f6rn-B\u00fcrger-8-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>Sein Liebhaber Gaveston wurde von Bj\u00f6rn B\u00fcrger in jeder Hinsicht ideal verk\u00f6rpert. Man kann den K\u00f6nig verstehen, dass er diesem attraktiven Mann verfallen ist. Mit seinem hellen Bariton, vereint mit grosser Textverst\u00e4ndlichkeit und seinem verf\u00fchrerischem Spiel, ist auch er eine Idealbesetzung<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Das Opernmagazin, Marco St\u00fccklin,  25. Mai 2023,  aus: Premiere von \u201eLessons in love and violence\u201c \u2013 Schweizer Erstauff\u00fchrung<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>Bj\u00f6rn B\u00fcrger als sein Geliebter Gaveston verstr\u00f6mte nicht nur optischen, sondern auch stimmlichen Sex-Appeal. Sein etwas heller timbrierter Bariton, dem George Benjamin einen etwas weiteren Tonumfang komponiert hatte als f\u00fcr den K\u00f6nig, f\u00fchrt in den Szenen mit dem K\u00f6nig von Ivan Ludlow zu reizvollen klanglichen Verschmelzungen. [...] Bj\u00f6rn B\u00fcrgers u.a. von der Fl\u00f6te exquisit begleiteter Monolog Here \u2013 look \u2013 is my baby king in der Szene III war fantastisch gestaltet, mit kontrollierten Ausfl\u00fcgen in die Kopfstimme<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Der Opernfreund, Kaspar Sannemann, 23. Mai 2023, aus: Z\u00fcrich: \u201eLessons in Love and Violence\u201c, George Benjamin<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>As Gaveston, Bj\u00f6rn B\u00fcrger radiated bitterness and disdain even as he charmed everyone with his rounded baritone<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Bachtrack.com, Elodie Olson-Coons, 22. Mai 2023,  aus: Lessons in Love and Violence in Zurich: gorgeous tragedy without a heart<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">Bj\u00f6rn B\u00fcrger incarne un Gaveston des plus s\u00e9duisants et sensuels ; son baryton plus clair permet aux voix des deux amants de se marier id\u00e9alement<\/td><\/tr><tr><td class=\"presstextquote-cell\">ConcertoNet.com, Claudio Poloni, 21. Mai 2023, aus: Amour, sexe et pouvoir<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">His lover Gaveston is Bj\u00f6rn B\u00fcrger, a forceful baritone<\/td><\/tr><tr><td class=\"presstextquote-cell\">SeenandHeardInternational.com, Michael Fischer, 06. Juni 2023, aus:  Beauty and brutality in George Benjamin\u2019s Lessons in Love and Violence at Zurich Opera<\/td><\/tr>\n\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Lakm\u00e9, Opernhaus Z\u00fcrich<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid #ddd!important;\n\n}\n<\/style>\n\t\n<table>\n<tbody>\n<tr>\n<td rowspan=\"15\" class=\"presseimg-cell\">\n\n<div id=\"envira-gallery-wrap-1458\" class=\"envira-album-wrap envira-gallery-wrap envira-gallery-theme-base envira-lightbox-theme-base_dark\" ><div data-album-config='{\"type\":\"default\",\"layout\":\"mason\",\"columns\":\"3\",\"title\":\"Lakm&eacute;, Opernhaus Z&uuml;rich\",\"justified_row_height\":150,\"justified_margins\":1,\"justified_last_row\":\"nojustify\",\"back\":0,\"back_location\":\"above\",\"back_label\":\"Back to Album\",\"description_position\":\"0\",\"album_alignment\":\"0\",\"gallery_theme\":\"base\",\"album_width\":100,\"description\":null,\"display_titles\":\"0\",\"display_titles_automatic\":0,\"gallery_description_display\":\"\",\"display_captions\":0,\"display_image_count\":0,\"gutter\":10,\"margin\":10,\"sorting\":\"0\",\"sorting_direction\":\"ASC\",\"crop\":1,\"crop_width\":150,\"crop_height\":150,\"isotope\":true,\"lazy_loading\":1,\"lazy_loading_delay\":500,\"lightbox\":1,\"lightbox_theme\":\"base_dark\",\"title_display\":\"float\",\"lightbox_title_caption\":\"title\",\"arrows\":1,\"arrows_position\":\"inside\",\"toolbar\":1,\"toolbar_title\":0,\"toolbar_position\":\"top\",\"aspect\":1,\"loop\":1,\"lightbox_open_close_effect\":\"fade\",\"effect\":\"fade\",\"html5\":0,\"gallery_sort\":\"0\",\"supersize\":0,\"image_counter\":0,\"lightbox_image_size\":\"default\",\"thumbnails\":1,\"thumbnails_width\":\"auto\",\"thumbnails_height\":\"auto\",\"thumbnails_position\":\"bottom\",\"thumbnails_custom_size\":0,\"thumbnails_toggle\":0,\"thumbnails_hide\":0,\"mobile\":1,\"mobile_width\":320,\"mobile_height\":240,\"mobile_lightbox\":1,\"mobile_arrows\":1,\"mobile_toolbar\":1,\"mobile_thumbnails\":1,\"mobile_thumbnails_width\":75,\"mobile_thumbnails_height\":50,\"mobile_justified_row_height\":80,\"standalone_template\":\"\",\"classes\":\"\",\"rtl\":0,\"slug\":\"lakme-opernhaus-zuerich\",\"custom_css\":\"\",\"audio\":0,\"audio_autoplay\":0,\"audio_loop\":0,\"audio_file_id\":0,\"videos_play_icon\":0,\"videos_autoplay\":0,\"videos_enlarge\":0,\"videos_playpause\":0,\"videos_progress\":0,\"videos_current\":0,\"videos_duration\":0,\"videos_volume\":0,\"videos_controls\":0,\"videos_fullscreen\":0,\"videos_download\":0,\"breadcrumbs_enabled\":0,\"breadcrumbs_enabled_mobile\":1,\"breadcrumbs_separator\":\"\\\/\",\"breadcrumbs_enabled_yoast\":0,\"album_id\":1458,\"keyboard\":1,\"mousewheel\":1}' data-lightbox-theme='{&quot;arrows&quot;:true,&quot;margins&quot;:[120,0],&quot;gutter&quot;:&quot;100&quot;,&quot;thumbs_position&quot;:&quot;bottom&quot;,&quot;base_template&quot;:&quot;&lt;div id=\\&quot;envirabox-1458\\&quot; 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April 2023, aus: Lakm\u00e9 in Z\u00fcrich mit Traumbesetzung<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>Erstmals im Opernhaus zu h\u00f6ren war auch der Bariton Bj\u00f6rn B\u00fcrger. Er verk\u00f6rperte die Figur des Fr\u00e9deric, G\u00e9ralds Milit\u00e4rkollegen. Er war die Idealbesetzung f\u00fcr diese Rolle<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Das Opernmagazin, Marco St\u00fccklin, 19. April 2023, aus: \u201eBezaubernde Rarit\u00e4t\u201c \u2013 \u201eLakm\u00e9\u201c<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>Bj\u00f6rn B\u00fcrger gestaltete den Fr\u00e9d\u00e9ric mit hinreissender stimmlicher Eleganz (wie gerne m\u00f6chte man diesem wunderbaren Bariton \u00f6fters mal wieder auf der Z\u00fcrcher B\u00fchne begegnen)<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Der Opernfreund, Kaspar Sannemann, 19. 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d&amp;acute;amore - Staatsoper Stuttgart\"},\"gallery_id\":1454,\"gallery_title\":\"L\u2019elisir d\u2019amore, Staatsoper Stuttgart\"}}'  data-gallery-sort-ids='[1438,1427,1429,1441,1444]'  class=\"envira-album-gallery-1454 envira-gallery-link\" title=\"L\u2019elisir d\u2019amore, Staatsoper Stuttgart\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-1454\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2023\/09\/Bj\u00f6rn-B\u00fcrger-4-150x150_c.jpg\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2023\/09\/Bj\u00f6rn-B\u00fcrger-4-150x150_c.jpg\" data-envira-album-id=\"1455\" data-envira-gallery-id=\"1454\" data-envira-item-id=\"1454\" data-caption=\"\" alt=\"\" title=\"L\u2019elisir d\u2019amore, Staatsoper Stuttgart\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2023\/09\/Bj\u00f6rn-B\u00fcrger-4-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2023\/09\/Bj\u00f6rn-B\u00fcrger-4-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>Der Belcore des Bj\u00f6rn B\u00fcrger ein deklamatorisches Meisterst\u00fcck vokaler Akrobatik<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">SWR Kultur, Bernd K\u00fcnzig, 31. Oktober 2022, aus: Triumph der Staatsoper Stuttgart: L\u2019elisir d\u2019amore ist ein klingendes Wunder<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>Bj\u00f6rn B\u00fcrger ist in gro\u00dfer schlanker Erscheinung, m\u00e4nnlich gockelhaftem Gehabe und einem rund und wohl t\u00f6nenden Bariton, der in Phrasierung und auftrumpfender H\u00f6hen-Beweglichkeit markige Akzente setzt, der perfekte Gegenspieler Belcore<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Online Merker, Udo Klebes, 01. November 2022, aus: Stuttgart\/ Staatsoper: Premiere. Liebesleid- und freud im Gew\u00e4chshaus<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>Seine ihm unterstellte [\u2026] Kompanie verleiht seinem Auftritt von Anfang an die Prophetie des Misserfolgs, ja des Scheiterns. Sie bietet diesem begnadeten S\u00e4nger-Darsteller aber auch die passende B\u00fchne, den von ihm verk\u00f6rperten Charakter zwischen jugendlichem Gegockele, vereinnahmenden Charme und absto\u00dfendem Prahlen drall und blutvoll lebendig werden zu lassen<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">ioco Kultur im Netz, Peter Schlang, 07. November 2022, aus: Staatsoper Stuttgart, Der Liebestrank \u2013 Gaetano Donizetti<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">Nemorino ist verknallt in Adina. Die ziert sich und interessiert sich zun\u00e4chst f\u00fcr den schmucken Soldaten Belcore (Bj\u00f6rn B\u00fcrger singt ihn toll)<\/td><\/tr><tr><td class=\"presstextquote-cell\">BR Klassik, J\u00f6rn Florian Fuchs, 31. Oktober 2022, aus: Liebe ist doch ein einziges Labor<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">Eccellenti sono state anche le prestazioni delle due voci gravi: Bj\u00f6rn B\u00fcrger, il trentasettenne baritono nativo di Darmstadt che in questi ultimi anni si \u00e8 messo in evidenza come uno degli artisti pi\u00f9 completi dell\u2019 ensemble di Stuttgart, ha delineato alla perfezione il carattere pomposo di Belcore, con un fraseggio sapido e una pronuncia italiana molto rifinita<\/td><\/tr><tr><td class=\"presstextquote-cell\">GBopera.it, Gianguido Mussomeli, 13. 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schweigsame Frau - Bayerische Staatsoper\"},\"gallery_id\":1451,\"gallery_title\":\"Die schweigsame Frau, Bayerische Staatsoper\"}}'  data-gallery-sort-ids='[1430,1443]'  class=\"envira-album-gallery-1451 envira-gallery-link\" title=\"Die schweigsame Frau, Bayerische Staatsoper\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-1451\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2023\/09\/Bj\u00f6rn-B\u00fcrger-7-150x150_c.jpg\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2023\/09\/Bj\u00f6rn-B\u00fcrger-7-150x150_c.jpg\" data-envira-album-id=\"1452\" data-envira-gallery-id=\"1451\" data-envira-item-id=\"1451\" data-caption=\"\" alt=\"\" title=\"Die schweigsame Frau, Bayerische Staatsoper\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2023\/09\/Bj\u00f6rn-B\u00fcrger-7-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2023\/09\/Bj\u00f6rn-B\u00fcrger-7-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>Als Barbier gl\u00e4nzte der junge, charismatische Bariton Bj\u00f6rn B\u00fcrger mit kraftvoller und eindringlicher Stimmf\u00fchrung und einer unglaublichen B\u00fchnenpr\u00e4senz<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Das Opernmagazin, Phillip Richter, 7. Februar 2022, aus: Heitere Strauss - Rarit\u00e4t in Spitzenbesetzung<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>Bj\u00f6rn B\u00fcrgers viriler Bariton strotzte und spr\u00fchte vor Charisma und beweist, dass der beste Freund des Menschen wohl doch der Friseur ist<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Bachtrack, Alexandra Richter, 31. Januar 2022, aus: Der Strauss'sche Enkeltrick: Die schweigsame Frau an der Bayerischen Staatsoper<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>Bj\u00f6rn B\u00fcrger, en cambio, fue un barbero estelar, tanto a nivel dram\u00e1tico como a vocal<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">\u00d3peraActual, Lluc Sol\u00e9s, 31. 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und Frieden - Grand Th&amp;eacute;&amp;acirc;tre de Gen&amp;egrave;ve\"},\"gallery_id\":1446,\"gallery_title\":\"Krieg und Frieden, Grand Th\u00e9\u00e2tre de Gen\u00e8ve\"}}'  data-gallery-sort-ids='[1424,1425,1426,1432,1433,1436,1437,1442,1445]'  class=\"envira-album-gallery-1446 envira-gallery-link\" title=\"Krieg und Frieden, Grand Th\u00e9\u00e2tre de Gen\u00e8ve\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-1446\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2023\/09\/Bj\u00f6rn-B\u00fcrger-1-150x150_c.jpg\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2023\/09\/Bj\u00f6rn-B\u00fcrger-1-150x150_c.jpg\" data-envira-album-id=\"1448\" data-envira-gallery-id=\"1446\" data-envira-item-id=\"1446\" data-caption=\"\" alt=\"\" title=\"Krieg und Frieden, Grand Th\u00e9\u00e2tre de Gen\u00e8ve\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2023\/09\/Bj\u00f6rn-B\u00fcrger-1-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2023\/09\/Bj\u00f6rn-B\u00fcrger-1-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>Andrej, Bj\u00f6rn B\u00fcrger gibt ihn fulminant mit baritonalem Schmerz und Schmelz, halluziniert zu Prokofievs blutrotem Walzertaumelklang wenn Andrej in Nataschas Armen stirbt<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Feuilletonscout, Barbara R\u00f6der, 22. Oktober 2021, Oper\/Operette, aus: Walzertod mit Luftballons und Pizzaschachteln<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>Bj\u00f6rn B\u00fcrger est un Prince Andrei \u00e0 la fois fougueux et r\u00eaveur, dont le grain sombre mais riche se projette dans de belles lignes<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Olyrix, Damien Dutilleul, 14. September 2021, aus: Guerre et Paix : colossal op\u00e9ra de chambre \u00e0 Gen\u00e8ve<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>Au centre de l\u2019intrigue, le m\u00e9thodique Bj\u00f6rn B\u00fcrger campe un admirable Andre\u00ef plein de fra\u00eecheur<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Opera Online, Thibault Vicq, 13. September 2021, aus: Guerre et Paix \u00ab d\u00e9cont\u00e9 \u00bb au Grand Th\u00e9\u00e2tre de Gen\u00e8ve<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">On est conquis par l\u2019aura christique du baryton Bj\u00f6rn B\u00fcrger, dont l\u2019Andr\u00e9 \u00e0 quelque chose de Golaud<\/td><\/tr><tr><td class=\"presstextquote-cell\">Concertclassic.com, Vincent Borel, 13. September 2021, aus: Guerre et Paix \u2013 Rentrez en paix - compte-rendu<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">Alle gehen in die Irre und singspielen grandios. Nataschas Liebster ist bei Bj\u00f6rn B\u00fcrger ein allzu rigider, aber baritonal strahlender Moralist<\/td><\/tr><tr><td class=\"presstextquote-cell\">S\u00fcddeutsche Zeitung, Reinhard J. Brembeck, 15. September 2021, aus: All die gebrochenen M\u00e4nner<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">Quant aux autres protagonistes, ils ne d\u00e9m\u00e9ritent pas. \u00c0 commencer par le baryton Bj\u00f6rn B\u00fcrger (Prince Andre\u00ef Bolkonski) qui signe une prestation sans faille devant l\u2019imp\u00e9tueuse soprano arm\u00e9nienne Ruzan Mantashyan (Natasha Rostova)<\/td><\/tr><tr><td class=\"presstextquote-cell\">ResMusica, Jacques Schmitt, 16. September 2021, aus: \u00c0 Gen\u00e8ve, monumental et \u00e9nigmatique Guerre et Paix<\/td><\/tr>\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Manon, Staatsoper Hamburg<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid #ddd!important;\n\n}\n<\/style>\n\t\n<table>\n<tbody>\n<tr>\n<td rowspan=\"15\" class=\"presseimg-cell\">\n\n<div id=\"envira-gallery-wrap-1346\" class=\"envira-album-wrap envira-gallery-wrap envira-gallery-theme-base envira-lightbox-theme-base_dark\" ><div data-album-config='{\"type\":\"default\",\"columns\":\"3\",\"title\":\"Manon, Staatsoper Hamburg\",\"justified_row_height\":150,\"justified_margins\":1,\"justified_last_row\":\"nojustify\",\"back\":0,\"back_location\":\"above\",\"back_label\":\"Back to 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Staatsoper Hamburg 2021 Foto BrinkhoffM&amp;ouml;genburg(2)\"},\"gallery_id\":1339,\"gallery_title\":\"Manon, Staatsoper Hamburg\"}}'  data-gallery-sort-ids='[1341,1344,1343,1342,1340]'  class=\"envira-album-gallery-1339 envira-gallery-link\" title=\"Manon Staatsoper Hamburg 2021\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-1339\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2021\/01\/Manon-Staatsoper-Hamburg-2021-Foto-BrinkhoffM\u00f6genburg3-1-150x150_c.png\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2021\/01\/Manon-Staatsoper-Hamburg-2021-Foto-BrinkhoffM\u00f6genburg3-1-150x150_c.png\" data-envira-album-id=\"1346\" data-envira-gallery-id=\"1339\" data-envira-item-id=\"1339\" data-caption=\"\" alt=\"\" title=\"Manon Staatsoper Hamburg 2021\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2021\/01\/Manon-Staatsoper-Hamburg-2021-Foto-BrinkhoffM\u00f6genburg3-1-150x150_c.png 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2021\/01\/Manon-Staatsoper-Hamburg-2021-Foto-BrinkhoffM\u00f6genburg3-1-150x150_c.png 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>Bj\u00f6rn B\u00fcrger brilliert in der Rolle des Lescaut, sein Bariton ist kraftvoll und im Ausdruck so wandelbar wie B\u00fcrgers Spiel. Mit der selben Inbrunst, mit der sich am Anfang als Sch\u00fctzer des Familienrufes aufspielt oder in Manons Rum und Reichtum schwelgt, gibt er sich am Ende verzweifelt der Drogensucht hin. <\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">operngestalten.de, Birgit Kleinfeld, 27.01.2021, aus: Manon: live fast, die young<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>Alles kreiste zwar um drei Figuren, dennoch handelte es sich bedauerlicherweise nicht um eine L'Amour \u00e0 trois, vielmehr: [...] und jener andere halt \"nur\" Cousin seiner Cousine - und auf den schien B\u00f6sch ein ganz besonders intensives Augenmerk gerichtet zu haben; Bj\u00f6rn B\u00fcrger verk\u00f6rperte (!!) ihn und tat das mit blitzeinschlagender Intensit\u00e4t. Mein absoluter Favorit.<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">kultura-extra.de, Andre Sokolowski, 28. Januar 2021, aus: Cousin &  Cousine<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>Von den Schuften passt sich Bj\u00f6rn B\u00fcrger als Manons Bruder am besten in dieses Panoptikum des Vergehens ein. Er ist Elsa Dreisigs m\u00e4nnlicher Kontrapunkt: gut aussehend, brillant singend und einem unrealistischem Traum nachh\u00e4ngend, ein Spieler, Junkie und Verlierer. Diese Oper ist bitters\u00fc\u00df, und die Hamburger Auff\u00fchrung ist traumhaft.<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">S\u00fcddeutsche Zeitung, Reinhard J.Brembeck, 26. Januar 2021, aus: Oper \"Manon Lescaut\":Ohne Geld keine Liebe<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">Der ebenso junge Bariton Bj\u00f6rn B\u00fcrger gibt einen au\u00dferordentlich spielfreudig-draufg\u00e4ngerischen, stimmlich flexiblen und rundum \u00fcberzeugenden Lescaut, Cousin der Manon.<\/td><\/tr><tr><td class=\"presstextquote-cell\">opera-online.de, Achim Dombrowski, 26. 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400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2020\/03\/Triologia-La-Monnaie-2020-2-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>\"Mais c\u2019est le r\u00f4le-titre qui remporte la palme. Don Giovanni animal, cruel, paum\u00e9, touchant m\u00eame, quand l\u2019espace d\u2019un \u00e9change d\u2019identit\u00e9 avec Leporello, il oublie sa c\u00e9cit\u00e9, Bj\u00f6rn B\u00fcrger s\u00e9duit quoi qu\u2019 il fasse. Sa voix, d\u2019une sant\u00e9 insolente, aux graves renversants, \u00e9pouse avec bonheur les couleurs multiples de sa partition. Il suffit de le voir et l\u2019entendre chanter sa s\u00e9r\u00e9nade face public, se prenant peu \u00e0 peu au jeu de son propre discours amoureux, pour adh\u00e9rer totalement \u00e0 cette caract\u00e9risation si juste et nuanc\u00e9e.\" <\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Toute La Culture, Lise Lefebvre 23.02.20<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>\"Bj\u00f6rn B\u00fcrger qui cumule les r\u00f4les d\u2019Almaviva et de Don Giovanni est remarquable \u00e9galement, tant sc\u00e9niquement que vocalement. Le timbre est puissant sans \u00eatre criard, chaud et agr\u00e9able, avec beaucoup d\u2019harmoniques, une aisance parfaite dans tous les registres, et un abattage sc\u00e9nique \u00e9tonnant.\"<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Forum Opera, Claude Jottrand, 22.02.20<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>\"...vor allem das \u00fcberragende Duo Bj\u00f6rn B\u00fcrger (Graf\/Giovanni) und Alessio Arduini (Figaro\/Leporello). Das sind zwei S\u00e4nger mit elegantem Bariton, plastischer Diktion und flinker Spielfreude, die jedem Haus Ehre machen w\u00fcrden.\"<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Frankfurter Allgemeine Zeitung, Jan Brachmann, 24.02.20<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">\"Le Comte de Bj\u00f6rn B\u00fcrger et le Figaro d'Alessio Arduini se r\u00e9incarnent en Don Juan et Leporello, entretenant ici une int\u00e9ressante g\u00e9mellit\u00e9 physique et vocale, aussi magnifiques l'un que l'autre, timbres jeunes et lignes galb\u00e9es, le premier antih\u00e9ros obs\u00e9d\u00e9, impeccable comme rarement pour le champagne, d'un velours enj\u00f4leur pour la s\u00e9r\u00e9nade.\"<\/td><\/tr><tr><td class=\"presstextquote-cell\">Diapason, Didier Van Moere, 24.02.20<\/td><\/tr>\n\n\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Don Carlos, Oper Stuttgart<\/p>\n\n\n<style 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Carlos Oper Stuttgart &amp;copy; Matthias Baus (4)\"},\"gallery_id\":1244,\"gallery_title\":\"Don Carlos, Oper Stuttgart 2019\"}}'  data-gallery-sort-ids='[1246,1281,1282,1280,1279,1278,1277,1276,1275,1274,1273,1272,1271,1270,1269,1268,1267,1266,1265,1264,1263,1262,1261,1260,1259,1258,1257,1256,1255,1254,1253,1252,1251,1250,1249,1248,1247,1245]'  class=\"envira-album-gallery-1244 envira-gallery-link\" title=\"Don Carlos, Oper Stuttgart 2019\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-1244\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2020\/03\/Don-Carlos-Oper-Stuttgart-\u00a9-Matthias-Baus-9-150x150_c.jpg\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2020\/03\/Don-Carlos-Oper-Stuttgart-\u00a9-Matthias-Baus-9-150x150_c.jpg\" data-envira-album-id=\"1283\" data-envira-gallery-id=\"1244\" data-envira-item-id=\"1244\" data-caption=\"\" alt=\"\" title=\"Don Carlos, Oper Stuttgart 2019\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2020\/03\/Don-Carlos-Oper-Stuttgart-\u00a9-Matthias-Baus-9-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2020\/03\/Don-Carlos-Oper-Stuttgart-\u00a9-Matthias-Baus-9-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>\"Bj\u00f6rn B\u00fcrger imponiert als Marquis von Posa mit volumin\u00f6sem Bariton.\"<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Online Merker, Alexander Walther, 28.10.19<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>\"Aus dem Marquis von Posa macht Bj\u00f6rn B\u00fcrger mit seinem kantablen Bariton eine echte Sympathiefigur, die sowohl Einf\u00fchlsamkeit als auch Durchsetzungsverm\u00f6gen besitzt.\" <\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Neue Musikzeitung, Georg Rudiger, 28.10.19<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>\"Rodrigo \u2013 ideal besetzt mit Bj\u00f6rn B\u00fcrgers kernigem Bariton \u2013\"<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Deutschlandfunk, Elisabeth Richter, 28.10.19<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">\"Posa, den Bj\u00f6rn B\u00fcrger mit bet\u00f6renden vokalen Linien gestaltet, die Figur aber auf spannende Weise im Ungef\u00e4hren h\u00e4lt.\"<\/td><\/tr><tr><td class=\"presstextquote-cell\">Neue Z\u00fcricher Zeitung, Tobias Gerosa, 30.10.2019<\/td><\/tr>\n\n\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Die Zauberfl\u00f6te, Glyndebourne<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid 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Zauberfl&amp;ouml;te, Glyndebourne 2019\"},\"gallery_id\":1236,\"gallery_title\":\"Die Zauberfl\u00f6te, Glyndebourne 2019\"}}'  data-gallery-sort-ids='[1218,1222,1219,1223,1221]'  class=\"envira-album-gallery-1236 envira-gallery-link\" title=\"Die Zauberfl\u00f6te, Glyndebourne 2019\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-1236\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2020\/03\/Internet_20190718_193621_4.jpeg-150x150_c.jpg\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2020\/03\/Internet_20190718_193621_4.jpeg-150x150_c.jpg\" data-envira-album-id=\"1237\" data-envira-gallery-id=\"1236\" data-envira-item-id=\"1236\" data-caption=\"\" alt=\"\" title=\"Die Zauberfl\u00f6te, Glyndebourne 2019\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2020\/03\/Internet_20190718_193621_4.jpeg-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2020\/03\/Internet_20190718_193621_4.jpeg-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>\"But not for the first time at this address, it is baritone Bj\u00f6rn B\u00fcrger who steals the show from under everybody else\u2019s noses by combining a mellifluous baritone with a puppy-dog demeanour for Papageno and complete mastery of his sight gags.\"<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Bachtrack, Mark Valencia, 19. Juli 2019<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>\"B\u00fcrger was the most handsome-sounding Papageno I\u2019ve recently heard.\"<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">The Spectator, Richard Bratby, 27. Juli 2019<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>\"Bj\u00f6rn B\u00fcrger is outstanding as Papageno, his vocal delivery as lithe and engaging as his acting\"<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Standard, Harry Millington, 22. Juli 2019<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">\"Bj\u00f6rn B\u00fcrger\u2019s Papageno is a commanding comic creation.\"\r\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Independent, Michael Church, 22. 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Monika Rittershaus\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2020\/03\/Tannh\u00e4user-De-nationale-opera-Loy-2-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2020\/03\/Tannh\u00e4user-De-nationale-opera-Loy-2-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>''De groote winnaar onder de zangers was bariton Bj\u00f6rn B\u00fcrger, die een werkellijk fenomenale vertolking van Wolfram ten beste gaf.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">operamagazine.nl,  Peter Franken, 08.04.2019<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''Der Bariton Bj\u00f6rn B\u00fcrger nutzt diese Steilvorlage weidlich aus, und bleibt sowohl beim Preislied, als auch beim Lied an den Abendstern stets im szenischen Kontext. [\u2026] B\u00fcrger f\u00fchrt mit seinem wohlklingenden, gleichwohl kernigen Bariton gemeinsam mit Ekaterina Gubanova als Venus das Protagonisten-Ensemble an''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">NMZ, Joachim Lange, 09.04.2019<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''Una concertazione di altissimo livello [\u2026] soprattutto nell\u2019apprezzatissimo Wolfram di Bj\u00f6rn B\u00fcrger [\u2026].''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Il giornale della musica, Valentina Anzani<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">''Bj\u00f6rn B\u00fcrger as Wolfram is the secret highlight of the night. [\u2026] His diction is crystal clear. [\u2026] B\u00fcrger\u2019s Wolfram shows humility and manages a wonderful Lied an den Abendstern, that treats the music with care and exhibits heartbraking pianissimi.''\r\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">ArtsTalk Magazine, Yannik Eisenaecher<\/td><\/tr>\n\n\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Billy Budd, Oper Frankfurt<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid #ddd!important;\n\n}\n<\/style>\n\t\n<table>\n<tbody>\n<tr>\n<td rowspan=\"15\" class=\"presseimg-cell\">\n\n<div id=\"envira-gallery-wrap-707\" class=\"envira-album-wrap envira-gallery-wrap envira-gallery-theme-base envira-lightbox-theme-base_dark\" ><div data-album-config='{\"type\":\"default\",\"columns\":\"3\",\"title\":\"Billy 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Budd, Oper Frankfurt\"},\"gallery_id\":394,\"gallery_title\":\"Billy Budd\"}}'  data-gallery-sort-ids='[395,397,398,396]'  class=\"envira-album-gallery-394 envira-gallery-link\" title=\"Billy Budd\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-394\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/billy_budd_2017-18_barbara_aumueller_02-1-150x150_c.jpg\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/billy_budd_2017-18_barbara_aumueller_02-1-150x150_c.jpg\" data-envira-album-id=\"707\" data-envira-gallery-id=\"394\" data-envira-item-id=\"394\" data-caption=\"\" alt=\"\" title=\"Billy Budd\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/billy_budd_2017-18_barbara_aumueller_02-1-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/billy_budd_2017-18_barbara_aumueller_02-1-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>''Bj\u00f6rn B\u00fcrger was born to be Billy Budd: quite apart from his musical acuity in the role, his dramatic interpretation really got to the heart of the character, capturing his naive ebullience as well as a side we don\u2019t often see, his inability to read people correctly, even a hint of autism in his interaction with the world around him.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">bachtrack.com, Matthew Rye, 26.05.2018<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>\"...\u00fcberragend gesungen und gespielt von Bj\u00f6rn B\u00fcrger\"<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">FNP, Andreas Bomba, 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Mieter, Oper Frankfurt\"},\"gallery_id\":410,\"gallery_title\":\"Der Mieter\"}}'  data-gallery-sort-ids='[411,413,412,414]'  class=\"envira-album-gallery-410 envira-gallery-link\" title=\"Der Mieter\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-410\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/2017-11-24-3404_dermieter18_gross-150x150_c.jpg\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/2017-11-24-3404_dermieter18_gross-150x150_c.jpg\" data-envira-album-id=\"704\" data-envira-gallery-id=\"410\" data-envira-item-id=\"410\" data-caption=\"\" alt=\"\" title=\"Der Mieter\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/2017-11-24-3404_dermieter18_gross-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/2017-11-24-3404_dermieter18_gross-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>''Da sind wunderbare S\u00e4nger, die sich mit hoher Kunst hingeben (...) und vor allem der immer wieder vom Bariton ins Falsettieren fallende Bj\u00f6rn B\u00fcrger, der dem Georg gibt, was man ihm geben muss: Weichheit und Kante, Pr\u00e4zision (lupenrein l\u00e4sst B\u00fcrger seine A-cappella-Passage im ersten Bild einm\u00fcnden in eine Trompetenphrase) und rabenschwarze Verzweiflung.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">SN, Susanne Benda, 13.11.2017<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''...ph\u00e4nomenal in Ausdruck, Stimme und Intonationssicherheit: Bj\u00f6rn B\u00fcrger''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">FNP, Andreas Bomba,14.11.2017<\/td><\/tr>\n\n\n\n\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Ariadne auf Naxos, Glyndebourne<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid #ddd!important;\n\n}\n<\/style>\n\t\n<table>\n<tbody>\n<tr>\n<td rowspan=\"15\" class=\"presseimg-cell\">\n\n<div id=\"envira-gallery-wrap-702\" class=\"envira-album-wrap envira-gallery-wrap envira-gallery-theme-base envira-lightbox-theme-base_dark\" ><div data-album-config='{\"type\":\"default\",\"columns\":\"3\",\"title\":\"Ariadne auf Naxos\",\"justified_row_height\":150,\"justified_margins\":1,\"justified_last_row\":\"nojustify\",\"back\":0,\"back_location\":\"above\",\"back_label\":\"Back to 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data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/Ariadne-auf-Naxos-Glyndebourne-Festival-2017-Harlekin-3-1-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/Ariadne-auf-Naxos-Glyndebourne-Festival-2017-Harlekin-3-1-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>''Bj\u00f6rn B\u00fcrger, Fran\u00e7ois Piolino, Daniel Miros\u0142aw and Manuel G\u00fcnther are similarly strong as the Players, with B\u00fcrger as Harlequin standing out in particular. Their dance routines are humorous and entertaining.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">musicomh.com, Sam Smith, 28.06.2017<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''There was a real sense of ensemble with her troupe, led by the charismatic Bj\u00f6rn B\u00fcrger as Harlequin.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">whatsonstage.com, Matthew Rye, 26.06.2017<\/td><\/tr>\n\n\n\n\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Pell\u00e9as et M\u00e9lisande, Oper Frankfurt<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid #ddd!important;\n\n}\n<\/style>\n\t\n<table>\n<tbody>\n<tr>\n<td rowspan=\"15\" class=\"presseimg-cell\">\n\n<div id=\"envira-gallery-wrap-1028\" class=\"envira-album-wrap envira-gallery-wrap envira-gallery-theme-base envira-lightbox-theme-base_dark\" ><div 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et M&amp;eacute;lisande, Oper Frankfurt\"},\"gallery_id\":446,\"gallery_title\":\"Pell\u00e9as et M\u00e9lisande\"}}'  data-gallery-sort-ids='[307,449,450,448]'  class=\"envira-album-gallery-446 envira-gallery-link\" title=\"Pell&eacute;as et M&eacute;lisande\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-446\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/57152-pelleas-et-melisande-gaelle-arquez-melisande-und-bjorn-burger-pelleas-2016-17-barbara-aumueller-01-2-150x150_c.jpg\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/57152-pelleas-et-melisande-gaelle-arquez-melisande-und-bjorn-burger-pelleas-2016-17-barbara-aumueller-01-2-150x150_c.jpg\" data-envira-album-id=\"1028\" data-envira-gallery-id=\"446\" data-envira-item-id=\"446\" data-caption=\"\" alt=\"\" title=\"Pell&amp;eacute;as et M&amp;eacute;lisande\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/57152-pelleas-et-melisande-gaelle-arquez-melisande-und-bjorn-burger-pelleas-2016-17-barbara-aumueller-01-2-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/57152-pelleas-et-melisande-gaelle-arquez-melisande-und-bjorn-burger-pelleas-2016-17-barbara-aumueller-01-2-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>''In Gerhahers und Kargs Fu\u00dfstapfen treten dieses Mal Bj\u00f6rn B\u00fcrger und Ga\u00eblle Arquez. B\u00fcrger, Glyndebournes Barbier in der letzten Spielzeit und Harlekin in Ariadne diesen Sommer, ist ein besonders charismatischer Darsteller; hier aber hielt er sich bis zur Liebeserkl\u00e4rung im vierten Akt etwas zur\u00fcck, mit schlagendem dramatischem Effekt. Sein lyrischer, subtil gef\u00e4rbter Bariton passte zu Arquez\u2019 oft \u00fcppigem und verf\u00fchrerischem Sopran''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">bachtrack.com, Matthew Rye, 02.04.2017<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''Bj\u00f6rn B\u00fcrger in der Rolle des Pell\u00e9as und Ga\u00eblle Arquez in der Rolle einer geheimnisvoll-versonnenen M\u00e9lisande waren bei der Wiederaufnahme ein allseits gefeiertes Paar, obwohl der Musik ja die dramatischen Elemente in seltsam-entr\u00fcckter Weise fremd bleiben.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Frankfurter Neue Presse, Matthias Gerhart, 27.03.2017<\/td><\/tr>\n\n\n\n\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Martha oder der Markt zu Richmond, Oper Frankfurt<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid 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oder der Markt zu Richmond, Oper Frankfurt\"},\"gallery_id\":434,\"gallery_title\":\"Martha oder der Markt zu Richmond\"}}'  data-gallery-sort-ids='[432,435,436]'  class=\"envira-album-gallery-434 envira-gallery-link\" title=\"&copy; TEST Sebastian Dierkes\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-434\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/Martha-oder-der-Markt-zu-Richmond-Oper-Frankfurt-2016-2-1-150x150_c.jpg\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/Martha-oder-der-Markt-zu-Richmond-Oper-Frankfurt-2016-2-1-150x150_c.jpg\" data-envira-album-id=\"1032\" data-envira-gallery-id=\"434\" data-envira-item-id=\"434\" data-caption=\"\" alt=\"\" title=\"&amp;copy; TEST Sebastian Dierkes\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/Martha-oder-der-Markt-zu-Richmond-Oper-Frankfurt-2016-2-1-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/Martha-oder-der-Markt-zu-Richmond-Oper-Frankfurt-2016-2-1-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>''Mit Bj\u00f6rn Burger steht als Plumkett ein \u00fcberaus kom\u00f6diantischer S\u00e4nger auf der B\u00fchne, der zudem vokal voll \u00fcberzeugt.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Online Musik Magazin, Christoph Wurzel, 18.10.2016<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''Die beiden P\u00e4chter-Organe von AJ Glueckert und Bj\u00f6rn B\u00fcrger sind strahlend und markant.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Frankfurter Rundschau, Bernhard Uske, 17.10.2016<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''Mit seinem virilen Bariton ist Bj\u00f6rn B\u00fcrger als Plumkett wunderbar pr\u00e4sent.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Frankfurter Neue Presse, Michael Dellith, 18.10.2016<\/td><\/tr>\n\n\n\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Il barbiere di Siviglia , Glyndebourne<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid #ddd!important;\n\n}\n<\/style>\n\t\n<table>\n<tbody>\n<tr>\n<td rowspan=\"15\" class=\"presseimg-cell\">\n\n<div id=\"envira-gallery-wrap-1050\" class=\"envira-album-wrap envira-gallery-wrap envira-gallery-theme-base envira-lightbox-theme-base_dark\" ><div data-album-config='{\"type\":\"default\",\"columns\":\"3\",\"title\":\"Il barbiere di Siviglia , 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barbiere di Siviglia, Glyndebourne\"},\"gallery_id\":255,\"gallery_title\":\"Il barbiere di Siviglia\"}}'  data-gallery-sort-ids='[614,617,615,425,424,353,358]'  class=\"envira-album-gallery-255 envira-gallery-link\" title=\"Il barbiere di Siviglia\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-255\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/Il-barbiere-di-Siviglia-Glyndebourne-2016-6-150x150_c.jpg\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/Il-barbiere-di-Siviglia-Glyndebourne-2016-6-150x150_c.jpg\" data-envira-album-id=\"1050\" data-envira-gallery-id=\"255\" data-envira-item-id=\"255\" data-caption=\"\" alt=\"\" title=\"Il barbiere di Siviglia\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/Il-barbiere-di-Siviglia-Glyndebourne-2016-6-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/Il-barbiere-di-Siviglia-Glyndebourne-2016-6-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>''At the top of the class is Bj\u00f6rn B\u00fcrger\u2019s ace Figaro, sung with brilliance, precision and a nonstop cheery grin, as if it is all no effort at all.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Financial times, Richard Fairman, 23.05.2016<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''Rossini's opera buffa is only ever as good as its Barber, and Bj\u00f6rn B\u00fcrger has the Glyndebourne crowd lotus-eating out of his hand. The handsome young baritone exudes elegant bonhomie and fourth-wall-breaking razzle-dazzle, and he delivers Rossini's tongue-twisters with an eloquence it would be hard to better. Bravo, Se\u00f1or Barbiere.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">whatsonstage.com, Mark Valencia, 23.05.2016<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''The evening\u2019s star, though, is the young German baritone Bj\u00f6rn B\u00fcrger, whose bright and brilliant tone is matched by equivalent stage personality to position his Figaro, quite properly, at the epicentre of the whirlwind action.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">thestage.co.uk, George Hall, 23.05.2016<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">''In Taylor Stayton\u2019s Almaviva and Bj\u00f6rn B\u00fcrger\u2019s Figaro she has a winning double act \u2014 a pair of young, charismatic singing-actors whose smiles are only the prelude to vocal agility and coloratura pizzazz. B\u00fcrger in particular, now scrambling out from the orchestra pit, now popping out of a trapdoor, is all swaggering star power''<\/td><\/tr><tr><td class=\"presstextquote-cell\">spectator.co.uk, Alexandra Coghlan, 11.06.2016<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">''(...) Bei Bj\u00f6rn B\u00fcrger d\u00fcrfte das auch schwer der Fall sein. Der deutsche Bariton gestaltet die Rolle mit heller, durschlagskr\u00e4ftiger Stimme und nimmt auch mit seiner B\u00fchnenpers\u00f6nlichkeit f\u00fcr sich ein.''<\/td><\/tr><tr><td class=\"presstextquote-cell\">Opernwelt, George Hall, aus dem Englischen von Katharina Duda, Ausgabe Juni 2016<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">''There are several house debuts here, none more exciting than the first appearance of the German-born baritone Bj\u00f6rn B\u00fcrger as the fixer Figaro, the barber of the title. B\u00fcrger's is just the sort of career that is sealed by a brilliant Glyndebourne debut like this. With his supremely musical singing, engaging stage presence, clean-limbed, easy movement, open countenance and sympathetic feel for ensemble singing, he is sure to pop up all over from now on. Catch him if you can, at Glyndebourne this year, or at base camp in Frankfurt, or wait for the inevitable roles ahead: more Don Giovannis (he has done one for Oslo), and with luck, Billy Budd.''<\/td><\/tr><tr><td class=\"presstextquote-cell\">culturewhisper.com, Claudia Pritchard, 23.05.2016<\/td><\/tr>\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Le cantatrici villane, Oper Frankfurt<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid #ddd!important;\n\n}\n<\/style>\n\t\n<table>\n<tbody>\n<tr>\n<td rowspan=\"15\" class=\"presseimg-cell\">\n\n<div id=\"envira-gallery-wrap-1058\" class=\"envira-album-wrap envira-gallery-wrap envira-gallery-theme-base envira-lightbox-theme-base_dark\" ><div data-album-config='{\"type\":\"default\",\"columns\":\"3\",\"title\":\"Le cantatrici villane, Oper 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data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/Le-cantatrici-villane-\u00a9Monika-Rittershaus-9-1-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/Le-cantatrici-villane-\u00a9Monika-Rittershaus-9-1-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>''Don Bucefalo, eine Paraderolle f\u00fcr jeden Buffo-Bariton, ist mit Bj\u00f6rn B\u00fcrger hochkar\u00e4tig besetzt. Mit markanter Stimmf\u00fchrung und gro\u00dfem Tempo zeichnet B\u00fcrger diesen windigen Charakter als liebenswerten Filou, dem man eigentlich nichts \u00fcbel nehmen kann. Gro\u00dfartig gelingen ihm die gro\u00dfe Wahnsinns-Arie vor der Pause, in der er sich von den Geistern Carlinos verfolgt f\u00fchlt, und die Auseinandersetzung im ersten Finale.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Online Musik Magazin, Thomas Molke, 24.01.2016<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''Hier ist der agile Maestro ein Christoph-Schlingensief-Typ, geschmeidig und trotzdem grotesk und wunderbar gespielt und gesungen von Bj\u00f6rn B\u00fcrger, dessen Bariton ganz locker sitzt und der sich einfach smart bewegen kann.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Frankfurter Rundschau, Stefan Schickhaus, 25.01.2016<\/td><\/tr>\n\n\n\n\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Die tote Stadt, Oper Frankfurt<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid 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tote Stadt, Oper Frankfurt\"},\"gallery_id\":1063,\"gallery_title\":\"Die tote Stadt, Oper Frankfurt\"}}'  data-gallery-sort-ids='[281,282,283]'  class=\"envira-album-gallery-1063 envira-gallery-link\" title=\"Die tote Stadt, Oper Frankfurt\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-1063\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/tote_stadt_08-150x150_c.jpg\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/tote_stadt_08-150x150_c.jpg\" data-envira-album-id=\"1062\" data-envira-gallery-id=\"1063\" data-envira-item-id=\"1063\" data-caption=\"\" alt=\"\" title=\"Die tote Stadt, Oper Frankfurt\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/tote_stadt_08-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/tote_stadt_08-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>''Alle vier Hauptrollen sind neu besetzt, wobei Bj\u00f6rn B\u00fcrger in der Doppelrolle von Frank und Pierrot als echte Sensation gelten kann. Was f\u00fcr ein kr\u00e4ftiger, ausdrucksstarker, herrlich nuancierter Bariton, der jeden Auftritt zum Erlebnis macht.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Frankfurter Neue Presse, Bettina Boyens, 05.10.2015<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''(...) Als Beispiel darf man den jungen Bj\u00f6rn B\u00fcrger nennen welchem man die Rollen des Frank\/Fritz anvertraute. Kernig, weich str\u00f6mend, in schlichter und dennoch frappierend nuancierter Intonation entfaltete sich das herrlich timbrierte, baritonale Material ganz besonders bei Mein Sehen, mein W\u00e4hnen zu balsamischem Wohlklang.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Der Neue Merker, Gerhard Hoffmann, 02.10.2015<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''Bj\u00f6rn B\u00fcrger mit seinem jugendlichen Bariton ist mit seinem Rollendeb\u00fct als Frank das gesangliche Erlebnis des Abends.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">klassik.com, Boris Michael Gruhl, 05.10.2015<\/td><\/tr>\n\n\n\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Die Zauberfl\u00f6te, Op\u00e9ra national de Paris<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid #ddd!important;\n\n}\n<\/style>\n\t\n<table>\n<tbody>\n<tr>\n<td 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Zauberfl&amp;ouml;te Op&amp;eacute;ra national de Paris\"},\"gallery_id\":452,\"gallery_title\":\"Die Zauberfl\u00f6te, Paris\"}}'  data-gallery-sort-ids='[264,266,265,262,263]'  class=\"envira-album-gallery-452 envira-gallery-link\" title=\"Die Zauberfl\u00f6te\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-452\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/La-Fl\u00fbte-enchant\u00e9e-Op\u00e9ra-national-de-Paris-7-1-150x150_c.jpg\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/La-Fl\u00fbte-enchant\u00e9e-Op\u00e9ra-national-de-Paris-7-1-150x150_c.jpg\" data-envira-album-id=\"1066\" data-envira-gallery-id=\"452\" data-envira-item-id=\"452\" data-caption=\"\" alt=\"\" title=\"Die Zauberfl\u00f6te\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/La-Fl\u00fbte-enchant\u00e9e-Op\u00e9ra-national-de-Paris-7-1-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/La-Fl\u00fbte-enchant\u00e9e-Op\u00e9ra-national-de-Paris-7-1-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>''Pour qu\u2019il n\u2019en soit plus question, r\u00e9glons imm\u00e9diatement son compte \u00e0 Bj\u00f6rn B\u00fcrger : il ne fut pas bon, il fut excellent ! (...) Interpr\u00e9tant le r\u00f4le avec une maestria sc\u00e9nique hors du commun. Ce bariton, c\u2019est un organe doubl\u00e9 d\u2019un acteur, de ces prodiges qu\u2019on aimerait d\u00e9couvrir plus souvent! (...) Bj\u00f6rn B\u00fcrger. Bariton \u00e0 l'op\u00e9ra de Francfort. Bluffant!''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">lemonde.fr, Philippe Lachaise, 24.05.2015<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''(...) Vainqueur \u00e0 l\u2019applaudim\u00e8tre, Bjorn B\u00fcrger, troupier \u00e0 l\u2019Op\u00e9ra de Francfort, campait un solide et fac\u00e9tieux Papageno. Assur\u00e9ment pour ce talentueux jeune baryton, voil\u00e0 des d\u00e9buts \u00e9clatants \u00e0 l\u2019Op\u00e9ra de Paris.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">forumopera.com, Brigitte Cormier, 28.05.2015 <\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''(...) Degli interpreti qui si \u00e8 apprezzata di pi\u00f9 la voce del Papageno di Bj\u00f6rn B\u00fcrger, baritono di grande talento e presenza scenica. (...)''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">operaincasa.com, 29.05.2015<\/td><\/tr>\n\n\n\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">La Cenerentola, Oper Frankfurt<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid #ddd!important;\n\n}\n<\/style>\n\t\n<table>\n<tbody>\n<tr>\n<td rowspan=\"15\" class=\"presseimg-cell\">\n\n<div id=\"envira-gallery-wrap-1070\" class=\"envira-album-wrap envira-gallery-wrap envira-gallery-theme-base envira-lightbox-theme-base_dark\" ><div data-album-config='{\"type\":\"default\",\"columns\":\"3\",\"title\":\"La Cenerentola, Oper Frankfurt\",\"justified_row_height\":150,\"justified_margins\":1,\"justified_last_row\":\"nojustify\",\"back\":0,\"back_location\":\"above\",\"back_label\":\"Back to 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Cenerentola, Oper Frankfurt\"},\"gallery_id\":1071,\"gallery_title\":\"La Cenerentola, Oper Frankfurt\"}}'  data-gallery-sort-ids='[259,258,260,261]'  class=\"envira-album-gallery-1071 envira-gallery-link\" title=\"La Cenerentola, Oper Frankfurt\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-1071\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/La-cenerentola-Oper-Frankfurt-2-150x150_c.jpg\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/La-cenerentola-Oper-Frankfurt-2-150x150_c.jpg\" data-envira-album-id=\"1070\" data-envira-gallery-id=\"1071\" data-envira-item-id=\"1071\" data-caption=\"\" alt=\"\" title=\"La Cenerentola, Oper Frankfurt\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/La-cenerentola-Oper-Frankfurt-2-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/La-cenerentola-Oper-Frankfurt-2-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>''Triumph des Seelenadels. Rossinis ''La Cenerentola'' wieder in der Oper Frankfurt. Ein H\u00e4ndchen f\u00fcr die Musik von Gioacchino Rossini bewies Alexander Soddy anl\u00e4sslich der aktuellen Wiederaufnahme von Keith Warners Inszenierung von La Cenerentola an der Oper Frankfurt. (...) Auf der B\u00fchne meisterte einzig Bj\u00f6rn B\u00fcrger in der Rolle des Herrscher spielenden Dieners Dandini die halsbrecherischen Tempi ohne Abstriche.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">FAZ, 16.04.2015<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''Kernig interpretierte Bj\u00f6rn B\u00fcrger den Dandini. (...) Die st\u00e4rker geforderten Mittel und H\u00f6henlagen klingen gerade zu prachtvoll. Wie gerne w\u00fcrde man ihn als Barbiere h\u00f6ren.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Der Opernfreund, Michael Demel, 14.04.2015<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''(...) Bj\u00f6rn B\u00fcrgers kerniger Bariton durchlebt fulminant die Partie des Angestellten, der seinen Chef spielt - und so die b\u00f6sen Schwestern narrt.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Frankfurter Neue Presse, 13.04.2015<\/td><\/tr>\n\n\n\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Owen Wingrave, Oper Frankfurt<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid #ddd!important;\n\n}\n<\/style>\n\t\n<table>\n<tbody>\n<tr>\n<td rowspan=\"15\" class=\"presseimg-cell\">\n\n<div id=\"envira-gallery-wrap-1075\" class=\"envira-album-wrap envira-gallery-wrap envira-gallery-theme-base envira-lightbox-theme-base_dark\" ><div data-album-config='{\"type\":\"default\",\"columns\":\"3\",\"title\":\"Owen Wingrave, Oper 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WINGRAVE Oper Frankfurt\"},\"gallery_id\":1074,\"gallery_title\":\"Owen Wingrave, Oper Frankfurt\"}}'  data-gallery-sort-ids='[443,440,441,442]'  class=\"envira-album-gallery-1074 envira-gallery-link\" title=\"Owen Wingrave, Oper Frankfurt\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-1074\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/wingrave_08-1-150x150_c.jpg\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/wingrave_08-1-150x150_c.jpg\" data-envira-album-id=\"1075\" data-envira-gallery-id=\"1074\" data-envira-item-id=\"1074\" data-caption=\"\" alt=\"\" title=\"Owen Wingrave, Oper Frankfurt\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/wingrave_08-1-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/wingrave_08-1-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>''Bj\u00f6rn B\u00fcrger feierte in der Titelrolle ein umjubeltes Rollendeb\u00fct. Owen Wingrave ist wohl der erste Wehrdienstverweigerer der Operngeschichte \u2013 ein junger Mann, der aus der 300-j\u00e4hrigen Geschichte seiner Familiendynastie die f\u00fcr ihn zwingenden Konsequenzen zieht.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Frankfurter Neue Presse, 12.01.2015<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''Owen Wingrave, einer der Au\u00dfenseiterfiguren von Britten, trat nicht in einem zotteligen 68er-Aussehen oder als sp\u00e4tpubert\u00e4rer Aufr\u00fchrer auf, sondern gepflegt im Cut und mit bestem Benehmen. Bj\u00f6rn B\u00fcrger gab ihn als ganz jugendliche Figur (...) mit vollt\u00f6nendem, sch\u00f6n konturiertem dunklem Heldenbariton und setzte in dieser Rolle idealtypisch die Absicht des Autors um, in Owen trotz seiner unheldischen Auffassungen einen Helden zu zeichnen.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Der Opernfreund, Manfred Langer, 11.01.2015<\/td><\/tr>\n\n\n\n\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Don Giovanni, Oper Frankfurt<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid #ddd!important;\n\n}\n<\/style>\n\t\n<table>\n<tbody>\n<tr>\n<td rowspan=\"15\" class=\"presseimg-cell\">\n\n<div id=\"envira-gallery-wrap-1078\" class=\"envira-album-wrap envira-gallery-wrap envira-gallery-theme-base envira-lightbox-theme-base_dark\" ><div data-album-config='{\"type\":\"default\",\"columns\":\"3\",\"title\":\"Don Giovanni, 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Giovanni, Oper Frankfurt\"},\"gallery_id\":416,\"gallery_title\":\"Don Giovanni, Oper Frankfurt\"}}'  data-gallery-sort-ids='[417,418,419,420]'  class=\"envira-album-gallery-416 envira-gallery-link\" title=\"Don Giovanni\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-416\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/Don-Giovanni-4-1-150x150_c.jpg\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/Don-Giovanni-4-1-150x150_c.jpg\" data-envira-album-id=\"1078\" data-envira-gallery-id=\"416\" data-envira-item-id=\"416\" data-caption=\"\" alt=\"\" title=\"Don Giovanni\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/Don-Giovanni-4-1-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/Don-Giovanni-4-1-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>''Christof Loy's production focuses on psychology behind Mozart's hero. (...) Another soprano, Grazia Doronzio, sings appealingly as the peasant girl Zerlina, who learns something about her social betters by eavesdropping on them for most of Act I. Her betrothed Masetto, sung by Bj\u00f6rn B\u00fcrger with a warm baritone voice, is treated so severely by Giovanni in his pursuit of Zerlina that even Leporello takes notice. (...)''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">International New York Times, George Loomis, 22.05.2014<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''Bj\u00f6rn B\u00fcrger als Masetto, der in der eher kleinen Rolle so dynamisch und kraftvoll auftritt als s\u00e4nge er den Titelhelden. Stark!''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Opernnetz 05.2014<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''Della compagine vocale, i migliori sono il protagonista Christian Gerhaher, dicitore finissimo e musicalissimo (il liederista di razza si sente tutto), e il giovani ''contadini'' Grazia Doronzio e Bj\u00f6rn B\u00fcrger, entrambi ben pi\u00f9 che una promessa. (...)''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Stefano Nardelli, Giornale della musica 05.2014<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\">''Bj\u00f6rn B\u00fcrger, seit dieser Spielzeit Ensemblemitglied in Frankfurt, gefiel mit seiner jugendlichen Erscheinung und seinem dunklen, vollen und dabei sch\u00f6n beweglichen Bariton als Masetto.''<\/td><\/tr><tr><td class=\"presstextquote-cell\">Der Opernfreund 15.05.2014<\/td><\/tr>\n\n\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Die Zauberfl\u00f6te, Oper Frankfurt<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid #ddd!important;\n\n}\n<\/style>\n\t\n<table>\n<tbody>\n<tr>\n<td rowspan=\"15\" class=\"presseimg-cell\">\n\n<div id=\"envira-gallery-wrap-1083\" class=\"envira-album-wrap envira-gallery-wrap envira-gallery-theme-base envira-lightbox-theme-base_dark\" ><div data-album-config='{\"type\":\"default\",\"columns\":\"3\",\"title\":\"Die Zauberfl&ouml;te, Oper Frankfurt\",\"justified_row_height\":150,\"justified_margins\":1,\"justified_last_row\":\"nojustify\",\"back\":0,\"back_location\":\"above\",\"back_label\":\"Back to Album\",\"description_position\":\"0\",\"album_alignment\":\"0\",\"gallery_theme\":\"base\",\"album_width\":100,\"description\":null,\"display_titles\":\"0\",\"display_titles_automatic\":0,\"gallery_description_display\":\"\",\"display_captions\":0,\"display_image_count\":0,\"gutter\":10,\"margin\":10,\"sorting\":\"0\",\"sorting_direction\":\"ASC\",\"crop\":1,\"crop_width\":150,\"crop_height\":150,\"isotope\":1,\"lazy_loading\":1,\"lazy_loading_delay\":500,\"lightbox\":1,\"lightbox_theme\":\"base_dark\",\"title_display\":\"float\",\"arrows\":1,\"arrows_position\":\"inside\",\"toolbar\":1,\"toolbar_title\":0,\"toolbar_position\":\"top\",\"aspect\":1,\"loop\":1,\"lightbox_open_close_effect\":\"fade\",\"effect\":\"fade\",\"html5\":0,\"gallery_sort\":\"0\",\"supersize\":0,\"image_counter\":0,\"thumbnails\":1,\"thumbnails_width\":\"auto\",\"thumbnails_height\":\"auto\",\"thumbnails_position\":\"bottom\",\"thumbnails_custom_size\":0,\"mobile\":1,\"mobile_width\":320,\"mobile_height\":240,\"mobile_lightbox\":1,\"mobile_arrows\":1,\"mobile_toolbar\":1,\"mobile_thumbnails\":1,\"mobile_thumbnails_width\":75,\"mobile_thumbnails_height\":50,\"standalone_template\":\"\",\"classes\":\"\",\"rtl\":0,\"slug\":\"\",\"custom_css\":\"\",\"videos_play_icon\":0,\"videos_autoplay\":0,\"videos_enlarge\":0,\"videos_playpause\":0,\"videos_progress\":0,\"videos_current\":0,\"videos_duration\":0,\"videos_volume\":0,\"videos_controls\":0,\"videos_fullscreen\":0,\"videos_download\":0,\"album_id\":1083,\"keyboard\":1,\"mousewheel\":1,\"lightbox_title_caption\":\"title\"}' data-lightbox-theme='{&quot;arrows&quot;:true,&quot;margins&quot;:[120,0],&quot;gutter&quot;:&quot;100&quot;,&quot;thumbs_position&quot;:&quot;bottom&quot;,&quot;base_template&quot;:&quot;&lt;div id=\\&quot;envirabox-1083\\&quot; 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Wenn er wirklich mal Redeverbot hatte, ergriff er die Gelegenheit zu einer k\u00f6stlichen Pantomime mit der B\u00fcste an der Wand. So blieben auch die breit ausgekosteten Sprechdialoge genie\u00dfbar. (...)''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Gerhard Schroth, Frankfurter Allgemeine Zeitung<\/td><\/tr>\n<tr><td class=\"pressetext-cell blocksatz\"><p>''Ein Deb\u00fct erlebte das Wiederaufnahme-Publikum in der Sympathie-Partie des Vogelf\u00e4ngers Papageno, von Bj\u00f6rn B\u00fcrger vokal wendig und szenisch charmant vermittelt. (\u2026)''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">Axel Zibulski, Frankfurter Neue Presse<\/td><\/tr>\n\n\n\n\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n<div class=\"post hentry saengerseiten-presse-div\">\n<p class=\"saenger-ueberschrift\">Bj\u00f6rn B\u00fcrger gewinnt den Bundeswettbewerb Gesang 2012<\/p>\n\n\n<style type=\u201dtext\/css\u201d>\ntable th, table td {\n\n    border-top: 0px solid #ddd!important;\n\n}\n<\/style>\n\t\n<table>\n<tbody>\n<tr>\n<td rowspan=\"15\" class=\"presseimg-cell\">\n\n<div id=\"envira-gallery-wrap-1086\" class=\"envira-album-wrap envira-gallery-wrap envira-gallery-theme-base envira-lightbox-theme-base_dark\" ><div data-album-config='{\"type\":\"default\",\"columns\":\"3\",\"title\":\"Bundeswettbewerb Gesang\",\"justified_row_height\":150,\"justified_margins\":1,\"justified_last_row\":\"nojustify\",\"back\":0,\"back_location\":\"above\",\"back_label\":\"Back to 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Gesang\"},\"gallery_id\":1087,\"gallery_title\":\"Bundeswettbewerb Gesang\"}}'  data-gallery-sort-ids='[298,300,301,302,304,305,306,309]'  class=\"envira-album-gallery-1087 envira-gallery-link\" title=\"Bundeswettbewerb Gesang\" ><div class=\"envira-lazy\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" id=\"envira-gallery-image-1087\" class=\"envira-gallery-image envira-gallery-image-1\" data-envira-index=\"1\" src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/5-1-150x150_c.jpg\" width=\"150\" height=\"150\" data-envira-src=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/5-1-150x150_c.jpg\" data-envira-album-id=\"1086\" data-envira-gallery-id=\"1087\" data-envira-item-id=\"1087\" data-caption=\"\" alt=\"\" title=\"Bundeswettbewerb Gesang\"  data-envira-srcset=\"https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/5-1-150x150_c.jpg 400w,https:\/\/bjoernbuerger.com\/wp-content\/uploads\/2018\/09\/5-1-150x150_c.jpg 2x\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/div><\/a><\/div><\/div><\/div><\/div>\n\n<\/td>\n\n<td class=\"pressetext-cell blocksatz\"><p>''Der 27-j\u00e4hrige Bj\u00f6rn B\u00fcrger hat beim Bundeswettbewerb ''Gesang Berlin 2012'' den mit 10.000 Euro dotierten ersten Platz gewonnen. Der Frankfurter setzte sich im Finale in der Berliner Komischen Oper gegen elf weitere junge K\u00fcnstler durch. Bj\u00f6rn B\u00fcrger ist noch Student und startet furios die Karriere. Der europaweit gr\u00f6\u00dfte nationale Gesangswettbewerb wird im j\u00e4hrlichen Wechsel jeweils in den Kategorien ''Oper, Operette, Konzert'' sowie ''Musical und Chanson'' ausgeschrieben. B\u00fcrger studiert derzeit in der Klasse von Hedwig Fassbender an der Hochschule f\u00fcr Musik und Darstellende Kunst (HfMdK) Operngesang. Von der Spielzeit 2013\/14 an wird er als Mitglied des Ensembles regelm\u00e4\u00dfig in der Oper Frankfurt zu h\u00f6ren sein: ab Januar 2013 als Curio in H\u00e4ndels ''Giulio Cesare in Egitto'', danach im Fr\u00fchjahr in Puccinis ''La fanciulla del West''.''<\/p>\n<\/td><\/tr><tr><td class=\"presstextquote-cell\">''Gesang Berlin 2012'' : B\u00fcrger singt alle in Grund und Boden. In: Die Welt 28. Nov. 2012<\/td><\/tr>\n\n\n\n\n\n\n<\/tbody>\n<\/table>\t\n<\/div>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"csbAdvScrollBarCursor":"","footnotes":""},"class_list":["post-123","page","type-page","status-publish","hentry","no-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/bjoernbuerger.com\/en\/wp-json\/wp\/v2\/pages\/123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bjoernbuerger.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bjoernbuerger.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bjoernbuerger.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/bjoernbuerger.com\/en\/wp-json\/wp\/v2\/comments?post=123"}],"version-history":[{"count":9,"href":"https:\/\/bjoernbuerger.com\/en\/wp-json\/wp\/v2\/pages\/123\/revisions"}],"predecessor-version":[{"id":1081,"href":"https:\/\/bjoernbuerger.com\/en\/wp-json\/wp\/v2\/pages\/123\/revisions\/1081"}],"wp:attachment":[{"href":"https:\/\/bjoernbuerger.com\/en\/wp-json\/wp\/v2\/media?parent=123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}